Baroque Violin Shop Cincinnati Oh (2024)

FAQs

What is the difference between a violin and a baroque violin? ›

Basically, the baroque violin has less tension than its modern cousin, by using a shorter bass-bar. The fingerboard on a baroque violin is larger, so the hand has a better hold in the neck - when you play without a shoulder rest and chin rest, you need another hold point for the hand in the neck.

Baroque violins are not fitted with a chin rest and are played without a shoulder rest.

Baroque violins, for example, were physically larger yet projected a lesser sound than the more modern versions that followed them, owing largely to the construction of the instruments: the neck of Baroque violins were set at a more shallow angle relative to the body, which put less pressure on the bridge from the ...

“Is the violin harder to learn than the guitar?” The short answer is: Yes, the violin is harder to learn than the guitar. There are several reasons for that. First of all, the violin does not have a fretboard, which means you will have to find every tone by ear.

The sound produced from this instrument can be found in almost every genre of music across hundreds of years. The violin is also widely regarded as one of the most difficult instruments to learn. One of the reasons behind this is that there are no guides on the violin for finger placement.

'[Vibrato] seems always to have been accepted as an ornament until the first quarter of the 20th century, when its continuous use gradually became the norm… During the Baroque era, vibrato was used sparingly, for emphasis on long, accentuated notes in pieces with an affect or character to which it was suited.

Playing the violin may cause increased activity in the shoulder and forearm muscles due to techniques such as vibrato (pitch variation), double-fingering (thirds), and changes in speed and volume (piano and forte).

Apart from classical violin, if you ever decided to play the baroque violin, you would tune it to A-415 Hz. The baroque pitch used during the Baroque period in the 17th century sounds almost like a “G” sharp in standard A-440 tuning.

In the 17^th century the Vingt-quatre Violons du Roi also performed at court, at masked or costume balls as well as operas or comédies-ballets. Initially, the distribution of violins was similar to that of the Renaissance consort - i.e. 6 dessus, 4 hautes-contre, 4 tailles, 4 quintes and 6 basses.

The music characteristics of the Baroque Era included fast movement, ornamentation, dramatic alterations in tempo and volume, and expressiveness.

Why is baroque tuning lower? ›

Instrumentation: Many historical instruments, such as Baroque violins, violas, viols, and cellos, are designed to be played at A=415 tuning. These instruments often have different construction and materials compared to their modern counterparts and produce a warmer, richer sound when tuned to A=415.

In fact, most of the most highly prized modern violins were built during the baroque era by makers like Amati, Stradivari, and Guarneri. When those makers originally built their instruments, however, they made the necks shorter and protruding straighter from the end of the body.